Fall 2012

"None of this requires ‘dumbing down’ content. Quite the opposite: The services we offer guests must approach the high standards we already embrace for artistic and scientific study."

- John Wetenhall
Making Museums Matter

Early this year, Carnegie Museums President John Wetenhall joined teams of trustees, staff, and community leaders to begin a strategic planning process by looking outside the four Carnegie Museums—at trends and best practices in the museum audience experience, financial management, and infrastructure. Here, the museum leader talks about the challenges and opportunities facing Carnegie Museums—and all museums—today.

By John Wetenhall | President & CEO | Carnegie Museums of Pittsburgh

Anyone who follows news of cultural institutions understands the challenges of the past few years. The post-2008 recession cut staffs and budgets nationwide 10-20 percent on average; programs have been scaled back; and exhibition funds trimmed. Beyond recession, though, the very nature of annual funding is changing. Governments at all levels have slashed support to museums, their educational programs, and scientific research. Philanthropy is shifting away from institutional support toward social causes. Private giving is becoming more focused, targeted, and less predictable.

Meanwhile, public demand for museum services has never been higher, escalating programming costs to serve children, families, and school systems. The competitive environment for staff drives costs higher, as do the physical demands of aging buildings requiring continuing maintenance and frequent major repairs. Beyond financial pressures, there is reason to believe that the demands of audiences themselves are changing, as new generations of the digital age become the new majority. And just how clear, anyway, are the lines between education, cultural experiences, and pure entertainment?

So, as revenues recede, costs rise, and audience expectations increase, what should museums do?

Facing the challenge: No better place than Pittsburgh

At Carnegie Museums, the first thing we need to do is recognize that Pittsburgh is a great place to face these challenges. The local economy is growing, especially the energy sector, which is bringing new companies to western Pennsylvania. Our great colleges and universities cultivate diverse student and faculty bodies, raise the level of policy debate, and serve as incubators for new businesses. Excellent hospitals provide care and comfort, as well as groundbreaking medical research, while a vibrantly supportive foundation community promotes worthy public initiatives.

Pittsburgh’s creative industries and technology-based start-ups add a fast, nimble complement to the major corporations that drive our local economy. Add to this potency the four Carnegie Museums, the city’s Cultural District, the Children’s Museum, History Center, Fallingwater, Zoo, Phipps, Frick, and so many other worthy attractions including our revered sports teams, it is no wonder that National Geographic Traveler labeled Pittsburgh a top-20 destination in the world for 2012 and The Economist named it the “Most Livable City” in the United States (and 29th in the world) for 2011.

This complex constellation is all about quality of life. Performing arts, sports, and museums provide the cultural infrastructure essential to first-rate cities and are every bit as important as the quality of a region’s educational and medical facilities. Museums are central to economic development, attracting professionals being recruited to the area as well as hundreds of thousands of out-of-town visitors. They support the educational system from preschool through graduate training; in fact, the four Carnegie Museums help teach no fewer than 350,000 children a year. Even more, they provide a trusted, publicly respected forum for understanding scientific issues, diverse cultures, and challenging new ideas. For the good of everyone, our museums must not only survive, but prosper.

The nature of museum audiences is changing

The digital world has profoundly changed audience expectations, particularly among young people who came of age logged on to Facebook.

Years ago, printed text and still photos conveyed most information—think about the wall panels and text labels in most art galleries. Today, digital opportunities and expectations require multi-media content, preferably freshly made and immediately available. Museum time—often three to five years to organize an exhibition—has little meaning to people expecting up-to-the-minute information via Facebook, YouTube, and Twitter. And as time shortens, so too does the length of content. People trained to write dissertations, books, and scholarly articles find themselves in a world of video clips, blogs, and 140-character tweets!

Our digital equipment is changing as well, as desktop computers yield in pop-ularity to iPhones and a host of handheld devices. And for the museum professional accustomed to delivering hour-long lectures, not only have TED talks (conferences available online) shortened presentations to 15 minutes, audience members expect to participate—even provide the content—as the old one-way lanes of museum communications have become two-way participatory streets.

The visitor experience is crucial

Galleries are to museums as classrooms are to universities: They are the heart of our existence, just as visitors are our lifeblood. Programs, research, publications, fundraising, and even building collection depth all support the experience we offer visitors.

In times gone by, museums served visitors by offering quiet, rather empty places of contemplation. Wall text and labels provided basic data and perhaps a snippet of context. Need more? Buy a catalogue. But today, visitors demand a richer experience. The rented audio wand is giving way to visitors’ smartphones and iPads—perfect platforms to provide audio tours, comparative video clips, or links to more in-depth content. Customized tours for children or scholars can be produced in advance as interactive activities of countless kinds.

The old museum model is not set up for these changes. But progressive institutions are changing with the times, making new investments in digital capacity and, just as challenging, transitioning staff priorities from the monographic tome to rich, real-time digital content.

The convergence of entertainment and education has eroded the privileged place museums once held in people’s consciousness as well as the public budget. Museums today compete for audiences who demand more than just collections. They want convenient parking, a welcoming experience and clear orientation, courteous and informed employees, delicious food, captivating gifts and mementos, and maybe a coffee or wine bar with comfortable places to sit.

More than anything, they want a vibrant experience—be it for a day alone, or with family or friends, or maybe even at an event where they can meet new people. None of this requires “dumbing down” content. Quite the opposite: The services we offer guests must approach the high standards we already embrace for artistic and scientific study.

Solid financials depend on public value

Understand that there is no limit to how much museums can do. Virtually every educational program serves a worthy audience, and we can invent new programs faster than anyone can fund them. Exhibitions always need more and better objects; exciting collections come to market every day and, behind the scenes, the pending project list would take decades to complete.

But we can only do so much with what we have—and that amount does not seem to be growing. Museums have been “doing more with less” since the financial wringing-out of the 2008 recession. Now, strategic decisions must be made: Hold the status quo against a headwind of declining funding or find a way to change. For those poised to pivot, it seems clear that reinvigorating the audience experience seems a path to increased visitation, ticket sales, membership, and more philanthropic support. But there must be more.

Science centers and natural history museums must engage the public with the full potential of their knowledge and collections to tackle topics such as climate change, human health and nutrition, population growth, the sustainability of food and water, nano-technology, the wonders of the universe, and, here in Pittsburgh, by all means energy and the environment. Art museums are all about design and creativity—a vital component to our global competitiveness. They are also about imagination, societal issues, profound ideas, differences, and, yes, beauty.

Museums that engage their publics in these vital human and humane concerns create for themselves a path toward their own sustainability. It is up to museums, then, to make themselves matter.

Everyone can help

We know that to provide the upgrades in visitor services that people expect—timely, interactive exhibitions, lively restaurants, vibrant stores, attractive signage, comfortable gathering places inside and out—we will need to invest. We must also raise funds to revamp our aging gallery spaces. Some of our greatest treasures of art and science require new and engaging interpretation. And we must build the capacity to create and show digital imagery and audio content to exploit and fully share the knowledge and passion of our wonderful professional staff.

These projects will take contributions large and small. As an organization, we are prioritizing projects so that donors of all capacities can participate in the revitalization of our four museums. We are also taking a serious look at our current programs and behind-the-scenes operations to assure that we manage our resources with the fullest care for efficiency as well as quality. Our museums have inventoried and prioritized required maintenance projects so that we can preserve our civic treasures for the long term.

Most important, through our strategic planning process, we have reached consensus that you, our members, and all of our public audiences must have better access to the indescribably valuable treasures we preserve—not just for passive viewing, but for understanding, inspiration, and wonder!

How Can You Help?

Visit and bring your friends and family—explore the treasures on public view.

Renew and upgrade your membership—membership proves public support.

Buy gift memberships—enrich friends and family with experiences throughout the year.

Remind political leaders that museums are public assets—culture seems like an easy cut, unless your priority is to invest in a great community for the long term.

Send the children in your life to art camps and special programs—they’ll have a great time and you’ll feel better knowing that your gift could inspire lifelong interests.

Support school field trips—museums turbo-charge the classroom experience.

Join a museum support group—enjoy “insider” experiences and make new friends.

Make a special contribution—museum staff will gladly steer you to exciting, worthwhile projects that meet your aspirations and budget.

Remember museums in your estate—great museums are built over time, often through the generosity of people who enjoyed them for a lifetime.




Also in this issue:

Ripped from the Headlines  ·  The Advent of Modern Global  ·  Drilling for Data  ·  Director's Note  ·  NewsWorthy  ·  Face Time: Robert Marshall  ·  Science & Nature: Women’s Work  ·  Artistic License: Personal Pop  ·  First Person: A Feathered Face of Forest Fragmentation  ·  The Big Picture