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C’est Magnifique:French Decorative ArtTreasure Room through March 21A celebration of things French is the focus
of this exhibition, which features objects from the museum’s permanent
collection. Decorative art objects, ranging from Sèvres porcelain
to silver by Christofle will be on display complementing the Art Deco masterpiece,
The Chariot of Aurora from the oceanliner Normandie.
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James WellingForum Gallery through February 14Welling's photographic imagery ranges from the recognizable to the abstract, consistently addressing the medium and process of photography. Each of Welling’s photographs is a unique reflection on photography and photographic history. New works made in and around Pittsburgh are included in this exhibition. |
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Zigzags and Stripes:Art Deco StyleArchitectural Center through March 28Art Deco was an exuberant, colorful, eclectic
style of the 1920s and ‘30s that was applied to everything from tea services
to skyscrapers, from fashion design to movie sets. Brought to wide public
attention at the World’s Fair in Paris in 1925, Art Deco rapidly became
popular in the United States, from the angular, geometrical style of the
1920s through the aerodynamic style of the 1930s. Newly commissioned photography
of Art Deco buildings in Pittsburgh are featured.
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Christopher Woolthrough January 31Wool’s work examines aspects of abstraction
in image and . The exhibition includes 50 selections of the artist’s work
from 1986 to the present, drawn from American and European collections,
including pattern paintings, stenciled words (of which the Carnegie Museum
of Art owns the largest example), stamped images and silkscreens. The exhibition,
organized the Museum of Contemporary Art, Los Angeles, is accompanied by
a fully illustrated catalogue, featuring a text by Madeleine Grynsztejn,
curator of contemporary art.
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Cobra WorksScaife Gallery through late MayThe word “Cobra” is derived from the first
letters of Copenhagen, Brussels and Amsterdam, and it represents the joint
artistic expression of a group of Danish, Belgian and Dutch artists collectively
active between 1948 and 1951. Proclaiming a love for children’s art, folk
art and the art of the insane, Cobra artists rejected system and embraced
spontaneity. This survey exhibition in Carnegie Museum of Art features
examples from the museum’s collection and from private collections
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The exhibition program at Carnegie Museum of Art is supported by grants from The Heinz Endowments and Pennsylvania Council on the Arts. Christopher Wool has been organized by The Museum of Contemporary Art, Los Angeles, and has been made possible in part by a generous gift from Lenore S. and Bernard A. Greenberg. Its presentation in Pittsburgh is supported by gifts from The Heinz Endowments, The Henry L. Hillman Foundation, Pennsylvania Council on the Arts, Milton and Sheila Fine, Woody and Nancy Ostrow, and Sande Deitch in memory of Caldwell. |
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Join Collectors’ ForumBefore there were museums, there were passionate collectors. They still exist, and Collectors’ Forum is one place where new and seasoned collectors share their interests, whether it is for contemporary art, prints, paintings, photographs, decorative arts or furniture. Collectors’ Forum members view private collections locally, participate in out-of-town weekends to visit museums, art galleries, and prominent collectors, hear experts on art, and share other activities that advance their knowledge of art and collecting.Collectors’ Forum, under the auspices of Carnegie Museum of Art, is a membership group with a $150 annual fee, but its goal is not to raise funds for art acquisitions for the museum. Rather it is designed to promote the spirit of fine collecting among its members. Currently there are 110 members, and each is entitled to bring a guest to events, thus enabling many couples to enjoy the programs. The first 1999 panel discussion is "Art or Craft?" on April 14. The director of Curatorial Affairs of the American Craft Museum in New York City, |
David McFadden, will join Sarah Nichols,
chief curator of Carnegie Museum of Art, and Vicky Clark, curator of the
Pittsburgh Center for the Arts, in debating the meaning of distinctions
made between art and craft.
Later in 1999 the curator of American Decorative Arts at the Metropolitan Museum of Art will discuss the Met’s extensive collection of works by Louis Comfort Tiffany. At a later event, Madeleine Grynsztejn, curator of contemporary art of Carnegie Museum of Art will give a preview of the 1999 Carnegie International. In October the international head of the contemporary art department at Sotheby’s will discuss "Is the Contemporary Art Market Overheating?" Carnegie Museum of Art Board member Marshall Katz founded Collectors’ Forum six years ago, and continues to lead its varied program. Membership in Carnegie Museums of Pittsburgh is required to join Collectors’ Forum. For more information call 412/471-1600. Or write Marshall Katz, Gateway Towers, Suite 24-A, 320 Fort Duquesne Blvd., Pittsburgh, PA 15222. |